Between 2024 and 2025 we produced a run of impact films for Nasscom Foundation, covering programmes funded by S&P Global, Adobe and Siemens. The subjects were health and tech startups working where India's systems thin out: island clinics in Lakshadweep, maternal care in rural Maharashtra, cervical cancer screening in villages, heart checks in the hills of Uttarakhand.
Most of these shoots came with a short window, a single location and a small crew. One film was built around a single community hall. Another had a short shoot window at a private school. We plan around that before we arrive, so the edit still has room to breathe.
Every film had three audiences to satisfy. The startup wants its work shown honestly. The donor wants to see where the money went. The foundation wants its role in the middle of it to be clear. Getting that balance right is most of the job.
This work sits apart from what we make for our brand clients in Australia. We take on a few of these films each year because it is the work our team cares most about, and our way of backing the people building India's social innovation ecosystem.