Brand films, series, explainers and event coverage, made with a local crew or your own team on the ground, directed and finished from Bengaluru. Two of these have the numbers to go with them.
Most portfolios stop at the film. These two carry on into what happened after it went live.

Years of archive footage across different cameras and resolutions, with no obvious narrative. We found the story, directed a new opening remotely, and built the content system that kept it running.

One coach, one indoor court, and a short-form series built to be filmed by the client herself. We set the formats, directed the shoots remotely and cut every clip for the platform it was going to.
Filmed by the client or a local crew from a shot list we write, finished overnight in Bengaluru.
A long-running hunting series for a NSW guide. Shot by Luke in the field, cut here.
Construction and development project management. Short-form cuts for LinkedIn, plus the landing page loop on their site.
A short explainer cut for the feed, built around one idea and sized to be watched without sound.
View the post ↗ LinkedIn · JAPMPart of an ongoing series turning site knowledge into something a developer will actually stop for.
View the post ↗Title sequences, lower thirds, explainer animation and the on-screen graphics that carry a point when the footage cannot.
Watch the reel ↗
Brand and purpose films, documentary series, product explainers and event coverage. Click any of them to watch.
A separate run of work for Nasscom Foundation, covering programmes funded by S&P Global, Adobe and Siemens. Island clinics in Lakshadweep, maternal care in rural Maharashtra, cervical cancer screening in villages, heart checks in the hills of Uttarakhand.
Those films, and how we shoot them in places with one location and a few hours of daylight, have a page of their own.
Tell us what you're trying to shift. We'll tell you whether film is the right tool, and what it would take.
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